Sunday 17 January 2016

Week 47: Twang (Part 3)

Having dealt with relating Twang to the Anatomy for 2 weeks, I'm revisiting where & how we use Twang resonance this week.
1. Twang has nothing to do with your Nose! Twang should not be nasal, unless you make a character choice to use nasal twang, e.g. Panto Witch.
2. Twang is NOT a pure Voice Quality. It is a very versatile, safe resonating device/ring of muscle used in commercial music, MT & in Opera.
3. Your Twanger or aryepiglottic sphincter is a resonating device located above the vocal folds. It is the squillo of Opera; ringing & intense.
4. Carefully crafted Twang exercises are fabulous for sorting out many vocal weaknesses & problems  in all styles of music. Perfectly safe!
5. Twang thins the Vocal Folds, assists in tilting the thyroid, helps negotiate the middle transition (Break!) & helps to prevent driving air!

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- Ross Campbell
Professor of Singing, Royal Academy of Music, London Director & Head of Singing, Musical Theatre Ireland, MTI Award winning Author for ABRSM Songbooks 1 – 51-to-1 Vocal Training & Consultations availablewww.rosscampbell.bizwww.musicaltheatreireland.ie
www.rosscampbelluk.blogspot.com

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